MTEA JOURNAL:
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James Stover
Source: MTEA Journal, Volume 5, January 2024, pp. 66-73
Publisher: Musical Theatre Educators' Alliance
DOI: https://doi.org/10.62392/KHCR2001
The article examines the capturing and distribution of illegally filmed videos of Broadway and other professional theatrical productions. It includes interviews with Broadway producers and performers as we...
Elizabeth Allen Turner, Ed.D.
Source: MTEA Journal, Volume 5, January 2024, pp. 100-115
Publisher: Musical Theatre Educators' Alliance
DOI: https://doi.org/10.62392/ZTTK1750
This narrative study shares female Broadway producers' first-hand accounts of the challenges they face in the industry. All participants have served either as a lead producer or co-produ...
Ben Lundy
Source: MTEA Journal, Volume 5, January 2024, pp. 116-117
Publisher: Musical Theatre Educators' Alliance
DOI: https://doi.org/10.62392/KWET5572
In a post-pandemic climate, how might we, as instructors, challenge our students to infuse their knowledge of musical theatre history into their craft? Fifty Key Stage Musicals, edited by Robert W. Schneide...
by Julio Augustin
BLACK ACTING METHODS: CRITICAL APPROACHES
By Sharrell D. Luckett with Tia M. Shaffer (foreward by Molefi Kete Asante)
Routledge, 2017; pp. 254. Prices vary.
In his foreword to Black Acting Methods: Critical Approaches, Molefi Kete Asante proffers “In a manner different from Eurocentrism, which imposes itself as a universalism, Afrocentricity says th...
By Jonathan Flom
David Cromer is a Tony Award winning American theatre director and stage actor. He has received recognition for his work Off-Broadway and in his native Chicago. Cromer has won or been nominated for numerous awards, including winning the Lucille Lortel Award and Obie Award for his direction of Our Town. He was nominated for the Drama Desk Award and the Out...
It’s not hard to discern that journey in songs of persuasion like “The Surrey With The Fringe” from Oklahoma!, “Some People” from Gypsy, “I’d Be Surprisingly Good For You” from Evita, or in narrative songs like “Opening Doors” from Merrily We Roll Along. But many theater songs are contemplative songs in which dramatic time “stops” so we can savor a moment. Pieces like “...
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